アタリカマワズバタフライ || An Indiscriminate Butterfly

Absoluteアタリカマワズバタフライ
atarikamawazu batafurai
An Indiscriminate Butterfly

Vocals: Honegami Takuya (骨神タクヤ)
Lyrics: Honegami Takuya (骨神タクヤ)
Arranged by: Honegami Ichizoku (骨神一族)
Album: Absolute
Circle: Honegami Ichizoku (骨神一族)
Event: C78
Original Theme: Bloom Nobly, Ink-Black Cherry Blossom ~ Border of Life [幽雅に咲かせ、墨染の桜 ~ Border of Life]

Requested by: Amilka

There are some pretty obvious references to Yuyuko’s backstory throughout this track. To begin with, I thought that the butterfly was a metaphor for death, rather than a direct representation of Yuyuko. I guess it could kind of go both ways, depending on how you look at it…

_ _ _ _ _ _ _ _ _ _ _

アタリかまわず宙に舞う蝶
死に誘う事すら楽しく
夢うつつの目には幻の蝶
生きていた時が懐かしいのは裏の裏 1000年前 裏の裏

tarikamawazu chuu ni mau chou
shi ni sasou koto sura tanoshiku
yumeutsutsu no me ni wa maboroshi no chou
ikiteita toki ga natsukashii no wa ura no ura sen’nen mae ura no ura

The butterfly that indiscriminately dances in the air
Enjoys even calling people to death.
To these half-asleep eyes, it was a phantom butterfly.
The one who misses the time when they were alive is at the rear of the reverse side. 1000 years ago, at the rear of the reverse side… (1)

ゆらりゆらリ ずれてく声と声に
ひらりひらリ からまりる
回る回る 時間のスピードは速く
カラリカラリ からまわるのは仕方ないはずさ

urari yurari zureteku koe to koe ni
hirari hirari karamariru
mawarumawaru jikan no supiido wa hayaku
kararikarari karamawaru no wa shikata nai hazu sa

Lightly, lightly – I become entangled,
Swaying, swaying – in those out-of-sync voices…
‘Round and ‘round – Time goes by quickly.
Clatter, clatter – Surely, fruitless effort must be inevitable.

アタリちらして飛びかう蝶
誘惑の眠りは楽しく
なけなしの春の空に浮く蝶
生きていた時が懐かしいのは裏の裏 1000年前 裏の裏

atarichirashite tobikau chou
yuuwaku no nemuri wa tanoshiku
nakenashi no haru no sora ni uku chou
ikiteita toki ga natsukashii no wa ura no ura sen’nen mae ura no ura

The butterfly that flutters about, finding fault with everyone,
Enjoys the sleep of temptation.
That butterfly floats in a sky filled with the faintest trace of spring.
The one who misses the time when they were alive is at the rear of the reverse side. 1000 years ago, at the rear of the reverse side…

ふわりふわり ゆれてるあなたの声に
くらりくらリ からまリる
くるりくるり この中の時間は遅く
カラリカラリ からまわるのは仕方ないはずさ

fuwari fuwari yureteru anata no koe ni
kurari kurari karamariru
kururi kururi kono naka no jikan wa osoku
karari karari karamawaru no wa shikata nai hazu sa

Lazily, lazily – I become entangled…
Softly, softly – in your swaying voice…
Turning, turning – The time in here passes slowly.
Clatter, clatter – Surely, fruitless effort must be inevitable.

咲かせたい 解き放ちたい
封印を毒であおって
桜の木の下には きっと何かが眠ってる
はずだよね? きっとそうだよね?
咲かせたい 咲かせたい もっともっと…

sakasetai tokihanachitai
fuuin wo doku de aotte
sakura no ki no shita ni wa kitto nanika ga nemutteru
hazu da yo ne? kitto sou da yo ne?
sakasetai sakasetai motto motto…

I want to make it bloom! I want to release it!
I swallow my seal with poison…
Something is definitely sleeping beneath the cherry tree.
There has to be, right? Surely, it must be so, right?
I want to make it bloom! I want to make it bloom! More, more…

アタリちらして飛びかう蝶
誘惑の眠りは楽しく
なけなしの春の空に浮く蝶
生きていた時が懐かしい

atarichirashite tobikau chou
yuuwaku no nemuri wa tanoshiku
nakenashi no haru no sora ni uku chou
ikiteita toki ga natsukashii

The butterfly that flutters about, finding fault with everyone,
Enjoys the sleep of temptation.
That butterfly floats in a sky filled with the faintest trace of spring.
It longs for the time when it was alive…

アタリかまわず宙に舞う蝶
死に誘う事すら楽しく
夢うつつの目には幻の蝶
生きていた時が懐かしいのは 裏の裏 1000年前
ウラのウラ

atarikamawazu chuu ni mau chou
shinisasou koto sura tanoshiku
yumeutsutsu no me ni wa maboroshi no chou
ikiteita toki ga natsukashii no wa ura no ura sen’nen mae
ura no ura

The butterfly that indiscriminately dances in the air
Enjoys even calling people to death.
To these half-asleep eyes, it was a phantom butterfly.
The one who misses the time when they were alive is at the rear of the reverse side. 1000 years ago…
At the rear of the reverse side…

_ _ _ _ _

(1) This is an odd phrase – it sort of has connotations that the thing in question is hidden, but is in plain sight at the same time. After all, the back (裏 ‘ura’) of the back, or the rear of the reverse side, is the front.

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